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The chapters in The Rolling Stones and Philosophy have fun the Stones’ position in our lives through digging into the controversies, the symbols, and meanings the band and its songs have for therefore many. What could you suggest (and what did Mick suggest) by means of “sympathy for the Devil”? Did the Stones proportion any of the blame for the deaths at Altamont, as critic Lester Bangs charged they did in Rolling Stone journal? What theories of ethics and character lay in the back of the good-boy photograph of the Beatles and the bad-boy acceptance the Stones received? If Keith Richards relatively had his blood changed 4 separate occasions, does that make him a zombie? How do the Glimmer Twins aid us refine our realizing of friendship? Written by means of a dozen philosophers and students who adore the Rolling Stones not just for his or her song, this e-book becomes required examining for an individual looking greatest pride from "the world's maximum rock and roll band."
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Additional info for The Rolling Stones and Philosophy: It's Just a Thought Away (Popular Culture and Philosophy Book 64)
At least, the track signifies that this satan is not any mere loss of goodness, yet fairly a strength, someone, in his personal correct, current at all the tragedies and wars he describes in next verses. In a 2002 interview in Rolling Stone, Richards acknowledged: “You may possibly in addition settle for … evil … and take care of it any manner you could. Sympathy is a track that says, ‘Don’t overlook him. when you confront him, then he’s out of a role. ” Richards’s remark, approaching the heels of Sept. 11, updates the tune by way of including a latest tragedy to these within the song—Christ’s crucifixion, the Russian Revolution, global battle II, and later, the Kennedy assassinations. Evil is actual, the Stones are saying, and its harmful powers can be given credence and, after all, sympathy. yet are, or have been, The Stones thinking about being evil? whereas Richards has been extra direct, Jagger has usually been coy, revealing purely commonplace tidbits approximately “Sympathy,” corresponding to the truth that he wrote the tune in a Dylanesque demeanour, and embraced the position of the delicate “man of wealth and style” instead of that of the beastly Anti-Christ.