Download E-books The Art of Mixing: A Visual Guide to Recording, Engineering, and Production PDF

By David Gibson

Prepare for an in-depth exploration into the aesthetics of what makes an outstanding combine! David Gibson's new angle to blending can provide a visible illustration of the dynamics of the sounds inquisitive about making a musical combine. via this third-dimensional, colourful rationalization, you're brought to a framework to help you comprehend every thing that an engineer does-- permitting you not to in simple terms realize what you love, yet easy methods to in achieving it on your studio. extend your recording ideas through studying what your recording apparatus does and the way all of it works jointly in an easy, visible demeanour. From bluegrass to special band, new age to heavy steel, classical to hip-hop, jazz to rap, and replacement rock to techno, Gibson has mapped out every thing that may be performed to create numerous results in all usual mixes. upon getting a standpoint on what may be performed, you might have the facility to be really artistic by yourself: to make artwork out of know-how.

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Fresh and transparent combine visible 214C. super Busy combine without results visible 215C. tremendous Busy combine With plenty of results visible 216C. tremendous Sparse combine With Fattening and Reverb colour Visuals visible A. Hip Hop combine visible B. Blues combine visible C. Rap combine visible D. Reggae combine visible 167C. Heavy steel combine visible 203C. New Age combine visible 168C. substitute Rock combine visible 198C. Acoustic Jazz combine visible 199C. people song combine visible 200C. Bluegrass combine visible 166C. large Band combine visible 1C. Sound Imaging visible 2C. Structuring combine visible 3C. eleven elements of Recorded Piece of song visible 20C. huge Orchestra Crowded among audio system visible 21C. three Violins With lots of area in among visible 29C. Fattening: <30ms hold up Time visible 36C. Stereo Reverb on Sound visible 42C. Even Volumes visible 43C. asymmetric Volumes visible 44C. Balanced (Symmetrical) combine visible 45C. Lopsided (Asymmetrical) combine visible 46C. ordinary EQ visible 47C. fascinating EQ visible 48C. Sparse combine visible 49C. complete (Wall of Sound) combine visible 50C. digital Mixer EQ vii Visual 119. visible 217C. super Sparse combine without Fattening and Reverb visible L. "Blinded Me With technological know-how" on instant by means of Thomas Dolby visible M. The Alarm Clock part in "Time" on darkish facet of the Moon by means of purple Floyd visible N. "Sledgehammer" on So by way of Peter Gabriel visible O. "Babylon Sisters" on Gaucho through Steely Dan visible P. The 4 Seasons through Vivaldi Chart nine. Chart 10. visible eighty three. visible eighty four. visible eighty five. visible 86. visible 87. visible 88. visible 89. visible ninety. visible ninety one. visible ninety two. visible ninety three. visible ninety four. visible ninety five. visible ninety six. visible ninety seven. visible ninety eight. visible visible visible visible visible visible visible ninety nine. a hundred. one hundred and one. 102. 103. 104. a hundred and five. visible visible visible visible 106. 107. 108. 109. visible visible visible visible visible visible visible visible visible a hundred and ten. 111. 112. 113. 114. a hundred and fifteen. 116. 117. 118. visible a hundred and twenty. visible 121. visible 122. visible 123. visible 124. pace vs. hold up Time Quickness of Our mind Fattening: hold up <30ms Mics selecting Up Sound in section quantity, Panning, EQ flow of hold up >30ms quantity, Panning, EQ, stream of Fattening Pitch vs. hold up Time of Flanging digital Mixer Flanging (see colour visible) digital Mixer Chorusing digital Mixer Phasing slim and vast Sweep on Flange, refrain, or Phaser Flanging Panned numerous methods Flanging at diversified Volumes Flanging EQ'd in a different way Waves Bouncing round Room Wash of Reverb digital Mixer Reverb Reverb: hundreds of thousands of Delays Panned among audio system lengthy and brief Reverb occasions Predelay Time Low-Diffusion Reverb High-Diffusion Reverb Reverb With Low-Frequency EQ develop Reverb With High-Frequency EQ develop Envelope (Change in quantity over the years) of ordinary Reverb Envelope of Gated Reverb Envelope of opposite Gate Reverb Preverb Reverb Filling in house among audio system (see colour visible) Reverb Panned to Left Reverb Panned From Left to 1:00 Reverb Panned From 11:00 to 1:00 Reverb Panned From 10:00 to 2:00 Reverb grew to become Up in combine Reverb grew to become Down in combine Reverb With High-Frequency EQ strengthen Reverb With Low-Frequency EQ advance combine as middle of eleven features (see colour visible) visible visible visible visible one hundred twenty five.

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