Download E-books Nature and Logos: A Whiteheadian Key to Merleau-Ponty's Fundamental Thought PDF
By William S. Hamrick, Jan Van der Veken
This is often the 1st book-length account of ways Maurice Merleau-Ponty used sure texts via Alfred North Whitehead to improve an ontology according to nature, and the way he may have used different Whitehead texts that he didn't be aware of for you to whole his final ontology. This account is enriched through numerous of Merleau-Ponty’s unpublished writings no longer formerly to be had in English, via the 1st certain remedy of yes works by means of F. W. J. Schelling during displaying how they exerted a considerable effect on either Merleau-Ponty and Whitehead, and by way of the 1st large dialogue of Merleau-Ponty’s curiosity within the Stoics’s concept of the twofold emblems - the trademarks endiathetos and the trademarks proforikos. This booklet presents a radical exploration of the consonance among those philosophers of their mutual wish to conquer a number of bifurcations of nature, and of nature from spirit, that haunted philosophy and technological know-how because the 17th century.
“Nature and symbols is likely one of the most crucial works on Merleau-Ponty’s philosophy to seem lately. The authors’ erudition and painstaking scholarship tell their unique viewpoint. this is often an vital paintings, a tour-de-force supplying one other vital piece to the puzzle of knowing the occasionally enigmatic later paintings of Merleau-Ponty.” — Duane H. Davis, editor of Merleau-Ponty’s Later Works and Their useful Implications: The Dehiscence of Responsibility
“This represents a distinct improve in philosophical scholarship. The booklet provides to our curiosity and knowing of Merleau-Ponty and Whitehead.” — Robert Daud, Pasadena urban university
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Additional info for Nature and Logos: A Whiteheadian Key to Merleau-Ponty's Fundamental Thought
Is one and an analogous substance. . . . a picture or internal spirit of existence always emerges out of the corporeal and it usually back turns into embodied via a opposite technique” (2000, 62). 7 during this gentle, the detachment from Nature that's attribute of the “pensée de survol” and the ensuing ontology of the item is dangerous for either ourselves and for the character that will get degraded into mere objectivity. as a result, the identify of the current paintings is intended to mirror either the subjectivity of Nature in addition to taking care of it so as to keep away from that dangerous detach5. Merleau Ponty refers back to the French translation of Löwith’s textual content. evaluate additionally Merleau Ponty’s description of falling asleep: “I am respiring deeply and slowly with a purpose to summon sleep, and unexpectedly it's as though my mouth have been attached to a few nice lung outdoor myself which alternately calls forth and forces again my breath. a undeniable rhythm of breathing, which a second in the past I voluntarily maintained, now turns into my very being” (PhP 211–12/245). “Je respirais lentement et profondément pour appeler le sommeil et soudain on dirait que ma bouche verbal exchange avec quelque great poumon extérieur qui appelle et refoule mon souffle, un definite rythme respiratoire, tout à l’heure voulu par moi, devient mon être même. ” 6. Schelling’s reputation of “l’être brut,” that “primordial being” within which we're enveloped antecedent to differences among topic and item, is one of the matters on which Merleau-Ponty felt a robust affinity along with his predecessor. This subject matter, mentioned early within the first Nature path, displays Merleau-Ponty’s trust that Nature is an important and privileged entry to ontology. 7. an incredibly very important end result of Schelling’s reinterpretation of Spinoza comprises “the revelation of deep ecology, of absolutely the subjectivity of nature. Schelling sought to interchange ‘dead, blind substance’ with ‘living substance’ ” (Wirth 2003, 93). somewhere else, he provides that “Nature, the endless trouble of bodies,” contains “an perpetually inventive expression” (Ibid. , p. 151). THE SCHELLINGIAN AND THE BERGSONIAN background 127 ment. From that standpoint, there's something splendidly symbolic approximately Antoine Roquentin in los angeles Nausée who does get nauseated as he confronts Nature (the darkish roots of the chestnut tree) as natural en soi. Schelling and, we think, Merleau-Ponty in addition, could trust Heidegger new Gestell is critical for Nature to switch the present paradigm of a “standing reserve” (Bestand) of usable assets, which so sincerely is determined by the ontology of the article (1977b, 17). it's not definite what Merleau-Ponty might say in this rating, however the Schellingian view is unquestionably in keeping with his ontology of Nature. This rift within the unitary cloth of topic and spirit additionally results in the sterility of philosophy itself. Schelling writes, “The complete new ecu philosophy considering the fact that its starting (with Descartes) has the typical disorder that nature isn't to be had for it and that it lacks a dwelling floor” (2006, 26).