Download E-books Being Numerous: Poetry and the Ground of Social Life (20/21) PDF
By Oren Izenberg
"Because it's not that i am silent," George Oppen wrote, "the poems are bad." What does it suggest for the goodness of an artwork to depend on its disappearance? In Being Numerous, Oren Izenberg deals a brand new strategy to comprehend the divisions that set up twentieth-century poetry. He argues that an important clash isn't really among types or aesthetic politics, yet among poets who search to maintain or produce the incommensurable particularity of expertise via making strong gadgets, and poets whose radical dedication to summary personhood turns out altogether incompatible with experience--and with poems.
Reading around the obvious gulf that separates conventional and avant-garde poets, Izenberg unearths the typical philosophical urgency that lies at the back of varied sorts of poetic difficulty--from Yeats's esoteric symbolism and Oppen's minimalism and silence to O'Hara's cheerful slightness and the Language poets' rejection of conventional aesthetic satisfactions. For those poets, what starts off as a realistic query concerning the behavior of literary life--what distinguishes a poet or staff of poets?--ends up as an ontological inquiry approximately social lifestyles: what's someone and the way is a neighborhood attainable? within the face of the violence and dislocation of the 20th century, those poets face up to their will to mastery, draw back from the sensual richness in their most powerful paintings, and undermine the particularity in their ingenious and ethical visions--all so that it will permit personhood itself to become an indisputable fact making an unrefusable claim.
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Extra resources for Being Numerous: Poetry and the Ground of Social Life (20/21)
Jennifer Moxley, mind's eye Verses till we go back to writing the poem Say This. there's a sentence in my moth there's a chariot in my mouth. there's a ladder. there's a lamp whose gentle fills empty area and an area which swallows mild. —Michael Palmer, “Sun” that—something as capable of happen basically in a single manner within the current Even you realized to talk. Used up . . . —Barrett Watten, less than Erasure within the Evangelist’s brain Then from an outstanding disturbance it's I completely I —Leslie Scalapino, manner First sentence: her reasonable body spray triggered melanoma within the White condominium final evening. With find the money for, agree and manage, use the infinitive. I can’t comply with die. With perform, think and withstand, use the gerund. I perform to reside is incorrect. Specify. “We’ve acquired to nuke ‘em Henry” moment sentence: contained in the field is plutonium. the concept that degrades, explodes, is going all of the approach, in criminal parlance. the main gentle message accumulates yet you want to recognize why you write a unique, acknowledged Vodonoy observe prior to identify Resurrection and lifestyles are one It’s to not displace something it really is I It has context and metronome by means of insisting on a comprehension of each be aware i'm loose to suggest position although to not characterize it. with none actual topic all that I say is I So i have to oppose the competition of poetry to prose A predicate nominative —Bob Perelman, “Seduced by way of Analogy” simply as we will purely momentarily oppose regulate not to topic the I is enable me attempt to repeat all the pieces we attempted to claim at the present time, yet for a few cause weren’t in a position to all right. yet we nonetheless won’t have the capacity to. That’s ok. Let’s see what we are saying. —Steve Benson, Blue publication discontinuity, intercourse to association, disorientation to the bread the sunshine the door family time and house, and glasnost (information) to the search —Lyn Hejinian, Oxota determine four. five. A web page dramatically estranged: writers in, round, and after Language poetry locate poetry within the primacy of syntax. the best way the shepherd the vine —Susan Howe, “The Nonconformist’s Memorial” 159 LANGUAGE POETRY AND COLLECTIVE lifestyles and effect. There seems to be an overpowering consensus between poets in and round the Language circulation that no matter what paintings continues to be performed poetically can be performed, now not loads via foregrounding the materiality of the poem (Language poetry’s early emphasis), yet via foregrounding its syntacticality. therefore the image of the stream I current right here, whereas evidently no longer inclusive, does aspire to be consultant. like all equipment of illustration, yet quite just like the variety we name the anthology, this one is liable to a couple of critical objections. might be to at least one specially: through removal sentences from their poems, poems from their books, books from their careers, i've got imposed the mere photo of a unified move upon the range of its voicings and foreclosed any great attention of the complicated and specific ways that a poet’s initiatives reply to their contexts, the ways that the poems enlist and count on the pursuits in their audiences.