Download E-books Argumentum e Silentio: International Paul Celan Symposium/Internationales Paul Celan-Symposium PDF
Publish yr note: First released in 1986
From the preface:
Argumentum e Silentio is the 1st quantity on Paul Celan, which brings jointly contributions from thirty-two authors of 7 assorted nations. during this ebook, arguments have interaction counter-arguments and sometimes silence in addition; divergent readings yield conflicting effects that remove darkness from such relevant concerns with present Celan-research because the theoretical methods to Celan's paintings, its dating to highbrow traditions from Holderlin to Freud, and its Jewish contextuality.
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Additional resources for Argumentum e Silentio: International Paul Celan Symposium/Internationales Paul Celan-Symposium
Phrases are considered as a method of adjusting the realm, and the protest opposed to its violence and injustice ends up in a critique of language. conventional varieties of belief and linguistic illustration are a primary aim of Celan's polemic. On his trip throughout the global of Jene's lithographs, the speaker's eyes try to examine the strikingly new items they understand with issues already identified and visible ahead of (Celan hyperlinks notion right here to clone of the road). His mouth dismisses such an try as totally insufficient: eleven 12 1J 14 Celan, Edgar Jene und der Traum vom Traume (Vienna: Agathon, 1948). based on Gisele Celan-Lestrange, Celan later distanced himself from Jene's paintings or even went as far as to rip out Jene's illustrations of his copies of Der Sand aus den Urnen. Celan, Edgar Jene, lithograph, n. pag. Ibid. Amy D. Colin 168 1 2 three four regulate Identitätskrämer! used to be hast du erblickt und erkannt, tapferer D o ok t o r der Tautologie? used to be hast du erkannt, sag, am Rand dieser neuen Straße? Einen A u c h - B a u m oder Beinah-Baum? 1 five because the ironic discussion among the eyes and the mouth indicates, the speaker translates and is aware the recent item now not by way of looking at its features and essence yet via modeling his conception of it after ordinary wisdom of whatever which he imagines to be related. the hot item turns into an insignificant "Auch-Baum" since it remains to be associated with preknowledge. Rejecting comparisons as an enough cognitive and poetic gadget of knowing the realm implies a critique of rhetorical recommendations hired not just via Celan's personal early poetry but in addition by way of the works of his significant literary version, Rainer Maria Rilke. any such critique leads to a second look of alternative poetic rules: the next passages current a fictitious discussion among the speaker and a pal. In look for enough technique of cognition, the buddy makes an attempt to come to a primordial and naive view of the realm within the experience of an "ursprüngliche Schau" (primordial sight) and " A n m u t " (grace) as defined in Kleist's Marionettentheater (to which Celan without delay refers). For the speaker, as for Kleist, the "ursprüngliche Sicht" and " A n m u t " open the heritage of humankind and also will finish it, changing into the final word aim of human improvement and the deeper that means of lifestyles. five 6 7 eight nine Auf dem Wege . . . einer vernunftmäßigen Läuterung . . . könne jene Ursprünglichkeit wiedergewonnen werden, die am Anfang conflict und auch am Ende diesem Leben seinen Sinn geben und es lebenswürdig machen würde. sixteen Such an figuring out of the area manifests itself within the activity to reestablish within the current time the "right," that's, primordial identify of items and the unique which means of phrases. For the speaker, it eventually capability altering the area. "Ich hatte geglaubt an ihren Grundfesten rütteln zu können, wenn ich die Dinge bei ihrem richtigen Namen nannte. " 17 10 eleven 12 thirteen Die Vernunft sollte walten, den Worten additionally den Dingen, Geschöpfen und Begebenheiten, ihr eigentlicher (primitiver) Sinn wiedergegeben werden, indem guy sie mit dem Königswasser des Verstandes Celan, Edgar Jene, p.